But wanting to fulfill someone’s dream through a painting is not enough on its own.
Because first, you need to understand what that dream actually is.
And that is the most complicated part.
Finding the exact feeling the painting needs to carry in order to fulfill the client’s dream.
That’s why the process always begins with the reservation.
The person fills out the form, chooses the size and frame, and completes the payment.
Simple.
That reserves their place.
And from that moment on, I begin working for that client so they can have the best experience possible.
But the real work starts right after that.
As soon as the reservation is complete, I personally get in touch with them.
Me.
I want to understand you.
That’s why I don’t have a team handling this part or anything like that.
You speak with me.
I talk with the client for as long as needed.
If necessary, I call them.
If necessary, we do a video call.
If necessary, we spend an hour talking about the painting.
Because I need to understand the reason behind that piece.
What that memory means.
Who appears in the photo.
Why that image matters.
What that gift is supposed to express.
What the person receiving it should feel when they stand in front of the painting.
I need to absorb all of that to the point where, when I put the brush on the canvas, I’m not copying a photo.
I’m translating a story.
Because if I don’t understand it, I can’t paint it properly.
And I refuse to paint it any other way.
Only after that conversation does the client send me the photo and I begin painting.
But I don’t just start and leave the client abandoned,
Like those personalized gifts someone buys nervously, pays for, and then can only wait and pray it doesn’t look like a cheap print when it arrives.
No.
As I paint, I show how the piece is progressing.
I send photos of the process.
Daily, if needed.
If something doesn’t convince the client, they can tell me.
If they want to adjust a detail, they can tell me.
If the color isn’t quite right, they can tell me.
If something doesn’t express what they wanted, we review it.
It’s their painting.
And I want the client to be present at every step.
Then, when the painting is finished, before doing anything else, I send a complete preview.
If the client wants, we do a video call and look at it together.
They tell me what they think.
We review the details.
I adjust whatever needs adjusting.
Only when the client is completely satisfied, only when they give me the okay, do I prepare the painting to be sent.
Once the piece is approved, I package it myself.
I wrap it with the same care a daughter would use to wrap a gift she has spent weeks imagining giving to her mother.
Then I hand it over to a premium courier service that costs me practically the entire margin of the painting.
Because I’m not willing to let something I’ve spent weeks creating arrive damaged.
Shipping cost for the client: zero.
And I track every step until the painting reaches their hands.
Now, before continuing, if you’ve made it this far, you probably want your own unique custom painting too.
But there is one problem.
A big problem.
Or maybe, for you, it won’t be a problem if you move quickly.
Keep reading to find out.